You're enthusiastic Family and Brand Photographer based out of Lehi, Utah. Ready to dive into your vision for your images. I love sharing my knowledge that I've gained after being a professional for over 10 years! Send me your questions!
When people search for cookbook photography, they’re often trying to understand what actually goes into photographing an entire cookbook. Is it just recipes on a counter? Do I style like a magazine shoot? Can I do this over months, or can it happen quickly? When I was approached to photograph the Moore family cookbook for Jumelle Press. I realized how little information existed from a photographer’s perspective. I was able to photography this project in one intensive week. Entirely on location at the Moore family home in Salt Lake City, Utah, and it was one of the most demanding and rewarding food photography projects I’ve worked on.

The success of this cookbook photography project started long before I ever unpacked a light stand. The publisher, Jumelle Press, came in with a fully mapped out shot list, visual references, and a detailed daily schedule. Every recipe, lifestyle moment, and supporting image was planned for me and the team ahead of time. This level of preparation matters more than people realize. When I work on a cookbook photo shoot involves dozens of moving parts, ingredients, people, and time constraints. By having the publisher manage the master plan, I was able to focus entirely on photographing the food and the story surrounding it. Rather than me juggling logistics.
I photographed the cookbook entirely in the Moore family home. Which meant creating flexibility without sacrificing consistency. I set up a dedicated food photography station in the kitchen with professional lighting and shot tethered so the entire team could see how the images were coming together in real time. I used that station for clean recipe images while the rest of the house became a rotating set. We photographed in the backyard, by the pool, at the barbecue, on the front porch, and throughout different living spaces. On two separate days, the team built full tablescapes, one for an outdoor evening dinner and another for a breakfast and brunch setting. Using the home as a location gave the cookbook warmth and personality, but it also required a photographer who could move quickly between controlled lighting setups and natural light environments without losing visual cohesion.








Early on, it was floated that I could photograph the cookbook while someone else casually styled the food. I pushed back hard on that idea. A dedicated food stylist is absolutely essential for cookbook photography at this level. Styling forty recipes across multiple days requires consistency, technical skill, and deep knowledge of how food behaves under lights and over time. The food stylist ensured that every dish looked intentional, repeatable, and true to the recipe. That decision alone elevated the final images and kept the shoot running efficiently. It also freed me to focus on composition, lighting, and storytelling instead of troubleshooting melting garnishes or inconsistent plating.

One of the biggest takeaways from this project is that successful cookbook photography is never a solo effort. In addition to myself as the food photographer, we had the publisher on site every day. Managing the shot list and schedule. The author present throughout the shoot. And an art director making final calls on imagery. That decision making structure allowed us to move quickly and confidently. Instead of revisiting the same image multiple times, we could make clear choices in the moment and stay on pace. Photographing over forty recipes plus lifestyle imagery in a single week requires trust, communication, and a shared vision across the entire team.

I was chosen for this cookbook photography project because I have the ability to photograph both polished recipe images and natural lifestyle moments. I can photograph seamlessly from a kitchen indoor set up. To the backyard or front porch where moments were unfolding quickly. Cookbook photography today isn’t just about the finished dish. It’s about context, environment, and emotion. Publishers want images that tell a complete story, and that means working with a food photographer who can adapt fast, work on location, and maintain a cohesive look across very different shooting conditions.
After an exhausting week of full day sessions, the team wrapped and I moved into the editing phase. Once finalized, I sent the images to a graphic designer who brought the cookbook together visually. Seeing the finished book is always surreal, especially knowing how much planning, collaboration, and trust went into every photograph.










If you’re an author, publisher, or brand exploring cookbook photography. Understanding the process upfront makes all the difference. And if you’re looking for a food photographer who can handle both recipe driven imagery and lifestyle storytelling on location, you can view more of my food photography work at alicephotoco.com/food-photography
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